NWPR Books

This interview was originally broadcast on January 24, 2012.

Today the Glock pistol has become the gun of choice for both criminals and law enforcement in the United States.

In his book Glock: The Rise of America's Gun, which came out in paperback in January, Paul Barrett traces how the sleek, high-capacity Austrian weapon found its way into Hollywood films and rap lyrics, not to mention two-thirds of all U.S. police departments.

Adam Mansbach is the author of the forthcoming novel Rage is Back.

Stealing my 9-year-old nephew's copy of The Pushcart War by Jean Merrill was the best thing I did last summer. I was his age the first time I read it, and twice his age the last time I went back to it. I'm twice that old again now, but as soon as I dove into this intimate, majestic tale of war writ small — of a battle between the pushcart peddlers and the truckers of New York City — I realized how timeless, and how deeply a part of me, the story was.

Nicole Georges grew up believing she became a half-orphan when her father died in his 30s, but when a palm reader suggested that her father — the one her mother had told her died of colon cancer — might still be alive, she began to look more closely at the whole of her unexamined life. This personal reconsideration is the heart of Calling Dr. Laura, an inventive graphic memoir that recounts this quest, as well as Nicole Georges' coming into her own as an artist and daughter.

It used to be a truism among critics of British poetry that Keats and most of his fellow Romantic poets worked in the shadow of John Milton. I'm not making a perfect analogy when I suggest that most contemporary Japanese writers seem to be working under the shadow of Haruki Murakami, but I hope it highlights the spirit of the situation.

In a new book, The Insurgents: David Petraeus and the Plot to Change the American Way of War, journalist and author Fred Kaplan tackles the career of David H. Petraeus and follows the four-star general from Bosnia to his commands in Iraq and Afghanistan.

Central to the story are ideas of counterinsurgency. Kaplan says that while counterinsurgency is not a new kind of warfare, it's a kind of war that Americans do not like to fight.