New York City Opera

Music + Culture
1:12 pm
Thu June 26, 2014

Julius Rudel, Longtime Director Of New York City Opera, Dies At 93

Julius Rudel, photographed (ca. 1970) in rehearsal with the orchestra of the New York City Opera, spent more than three decades with the company.
Courtesy of the artist

Conductor Julius Rudel, a defining figure in 20th-century opera production, died early Thursday morning. He was 93, and died at his New York home of natural causes, according to his son Anthony Rudel, station manager of Boston classical music broadcaster WCRB. WCRB is part of WGBH and an NPR member station.

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Music + Culture
2:33 pm
Wed April 2, 2014

Valkyries Ride All Night To Save Opera Company

Gods, monsters and Rhinemaidens populate Richard Wagner's 16-hour epic Ring cycle.
Marco Secchi Getty Images

(Happy April Fools 2014. See you next year.)

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Music + Culture
2:59 pm
Tue October 1, 2013

Chronicle Of A Death Foretold: New York City Opera Shuts Its Doors

The New York City Opera let its final curtain fall Saturday night at the Brooklyn Academy of Music in a production of Anna Nicole by Mark-Anthony Turnage.
Stephanie Berger

Originally published on Wed October 2, 2013 3:16 pm

This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.

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Music + Culture
7:15 pm
Tue September 10, 2013

New York City's 'People's Opera' May Face Its Final Curtain

Pamela Armstrong (left) as Alice Ford and Heather Johnson as Meg Page in New York City Opera's production of Falstaff. The so called people's opera may have to cancel its upcoming season if fundraising falls short.
Carol Rosegg New York City Opera

There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.

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