A diva on the town finds her way to NPR's new headquarters.
Credit Anya Grundmann / NPR
Experts say Callas' controversial weight loss, in 1953, may have affected her voice. But we spied her ordering a half-smoke and an Arnold Palmer at Ben's Chili Bowl.
Credit Anya Grundmann / NPR
Born in Manhattan. Educated in Athens. Artistic citizen of the world. Callas' thirst for travel (and sightseeing) continues.
Credit Tom Huizenga / NPR
Recalling her days on stage as Puccini's tragic Cio-Cio-San, Callas felt right at home in the (Madama) Butterfly Pavilion at the Smithsonian's Natural History Museum.
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In the world of opera, there's no partisan debate: Maria Callas amended the laws and statutes of her art.
Credit Tom Huizenga / NPR
Like the exquisite Cherry Blossoms, Callas' peak (throughout the 1950s) was spectacular, intense and ultimately short-lived.
Credit Tom Huizenga / NPR
Maria Callas, known as "La Divina" to her legions of acolytes, escaped from our old headquarters via a white Prius in the parking garage. Where would she go next?
Credit Tom Huizenga / NPR
Callas obsessively collected recipes she never cooked. On Constitution Avenue, she discovers the secret behind Polish sausage.
Credit Tom Huizenga / NPR
Drawn by the scent of a recent production of Norma (her signature role), Callas deigned to visit the Kennedy Center Opera House. (Remember: Aristotle Onassis dumped Callas for Jackie.)
Credit Tom Huizenga / NPR
Callas' appetite for drama was titanic. But for a real meal, Maria "lunches" with Julia Child in her kitchen at the American History Museum.
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Touring an urban farmers' market (in Dupont Circle) reminds Callas of her humble upbringing in Manhattan's Washington Heights, as well as her subsequent move to Athens.
Credit Valeska Hilbig / For NPR
It's not La Scala (where she first sang in 1950), but Callas did find the longest eSCALAtor in Washington.
Credit Tom Huizenga / NPR
Callas was a towering monument in the history of opera, introducing a new and riveting sense of drama to every role she sang.
Credit Tom Huizenga / NPR
Callas hobnobbed with some of the world's most beautiful people. Recently, she found a brief moment in her schedule for the denizens of 1600 Pennsylvania Ave.
Credit Anya Grundmann / NPR
Having found her leading man gliding through the streets of Washington, Callas considers a role in a new opera performed entirely on Segways.
Credit Anya Grundmann / NPR
In the COURT of operatic opinion, Callas ruled SUPREME. Just ask Ruth Bader Ginsburg (or Renata Tebaldi).
Credit Suraya Mohamed / NPR
After a little more than a week on the town, Callas (and her trusty officemate Tom Huizenga) move into NPR's new headquarters
Credit Tom Huizenga / NPR
Callas and Jackie Onassis were rivals with Wagnerian intensity. Think of her visit to the White House Press Briefing Room as "operatic payback."
As one door closes, another opens. Last week, we shut down operations at our old Washington, D.C, headquarters; today, we walked into a brand-new building.
Making the move wasn't easy. In 14 years, I'd acquired an impressive amount of stuff, from LPs autographed by Placido Domingo and Tom Jones to books like The Essential Guide to Dutch Music. And did I really need three staple removers?
Richard Wagner was, and still is today, arguably the most controversial figure in classical music. A self-appointed deity and hyperdriven genius, Wagner is often considered the ultimate megalomaniac. He dreamed up and achieved a single-minded plan to change the course of classical music history.
