Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Music + Culture
2:00 am
Sun June 30, 2013

Revved-up Vivaldi, Persian Bamboo And Soaring Spirituals: New Classical Albums

album cover for Corps Exquis

Originally published on Wed July 3, 2013 4:41 am

It's a brave new musical world. Between downloads, iPods, music sharing websites and the good old CD, we have more easy access to the songs and symphonies we love than ever before.

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Music + Culture
8:55 am
Wed June 26, 2013

Hit The Road And Hear Some Music: Summer Classical Festivals 2013

At the Moab Festival in Utah, patrons can hike to a secret spot to hear concerts.
Richard Bowditch Moab Music Festival

Originally published on Thu June 27, 2013 5:55 am

Summer is heating up and so are dozens of classical music festivals all around the country. We couldn't possibly list them all, but here's a sampling of some of the best events, from open-air venues and seaside spots to historic concert halls. Been to a great summer festival we've missed? Feel free to pass along your own reviews in the comments section.

EAST

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Music + Culture
6:03 am
Tue June 18, 2013

Distinctive Voices: Three Must-Hear Violin Albums

Three of today's most fascinating violinists have new albums, including Augustin Hadelich, who pairs off with Spanish guitarist Pablo Sáinz Villegas.
Rosalie O'Connor Avie Records

Originally published on Mon February 17, 2014 7:01 am

The violin, though centuries old, remains a popular yet remarkably unwieldy instrument. Just squeezing the contraption between your chin and shoulder, then raising your bow arm to the proper height, is enough to induce a pinched nerve. Yet every day countless numbers of people try to make the instrument sing.

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Music + Culture
5:03 am
Tue June 4, 2013

'Becoming Traviata': A Look At Opera From Behind The Curtain

Soprano Natalie Dessay, with tenor Charles Castonovo, in Philippe Béziat's documentary Becoming Traviata.
Distrib Films

It's easy to think of opera as little more than an affected flock of singers warbling onstage in lacy brocade with pancake makeup, chandeliers and champagne.

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Music + Culture
3:03 am
Sat May 25, 2013

Leonard Bernstein's 'Rite of Spring' Thrill Ride

Leonard Bernstein leads the London Symphony Orchestra. He called Stravinsky's famously savage Rite of Spring "extremely tuneful and dancy, rhythmically seductive, beguiling."
Ian Showell Getty Images

If you think all the twitchy rhythms and random shards of melody flashing through Stravinsky's The Rite of Spring sound complicated, consider the poor musicians who have to learn it. And then there's the conductor, who needs to perfectly place every piccolo tweet and bass drum boom.

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Music + Culture
11:41 am
Fri May 24, 2013

The Cocktail Party Guide To Igor Stravinsky

Don't be caught "Stravinsky deficient" as the big centennial of his Rite of Spring approaches.
Time & Life Pictures/Getty Images

Originally published on Fri May 24, 2013 1:21 pm

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Music + Culture
12:50 pm
Wed May 22, 2013

Henri Dutilleux, Leading French Composer, Dies At 97

Henri Dutilleux, a leading French composer and unique voice in new music, has died at age 97.
Pierre Verdy AFP/Getty Images

Originally published on Tue November 5, 2013 11:54 am

Henri Dutilleux, a leading French composer who wrote music of luminous perfection, died Wednesday in Paris at age 97. His family announced the death, which was reported by one of his publishers, Schott Music, and the Agence-France Presse.

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Music + Culture
9:08 am
Tue May 21, 2013

Gods And Monsters: 5 Unforgettable Wagner Moments

The Valkyries, led by Brunnhilde (soprano Debra Voigt, lower left), are the warrior maidens of Richard Wagner's epic Ring cycle.
Ken Howard Metropolitan Opera

Originally published on Wed May 22, 2013 1:02 pm

  • William Berger on 'Parsifal'
  • William Berger on 'Das Rheingold'
  • William Berger on 'Die Walküre'
  • William Berger on 'Tristan und Isolde'
  • William Berger on 'Die Meistersinger'

How much do you know about Richard Wagner? Probably two unfavorable facts: He wrote very long, grandiose operas and was Hitler's favorite composer. As true as they are, those simple examples barely hint at the complexity of this endlessly creative and confounding artist.

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Music + Culture
11:43 am
Thu May 9, 2013

Moms In Opera: Women On The Edge

Mozart's Queen of the Night (portrayed here by soprano Diana Damrau), in his The Magic Flute, is one of opera's more intense mothers.
AFP/Getty Images

Originally published on Wed May 7, 2014 12:40 pm

We love mothers for all the Hallmark reasons: for their compassion and patience, not to mention giving birth. But some moms aren't exactly greeting card friendly — and none less so than those who live in the opera house.

This is opera, after all, so we expect the outrageous. But operatic moms seem to be disproportionately portrayed as murderers, harpies or generally women on the verge of a nervous breakdown. Your Normas, Medeas, Butterflies, Queens of the Night and Clytemnestras.

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Music + Culture
9:22 am
Tue April 23, 2013

Music We Love Now: Three Must-Hear Piano Albums

Ingolf Wunder pays tribute to 300 years of keyboard music on his new album 300.
Patrick Walter

The young Austrian pianist Ingolf Wunder shines in Mozart, Jorge Federico Osorio reintroduces an intoxicating Mexican concerto and Elisveta Blumina reveals the gentle side of Ukrainian composer Valentin Silvestrov.

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