Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

It's hard to believe that not only was there no Serial six months ago, there was no Serial three months ago. The hugely popular podcast, a spinoff production of This American Life, didn't even premiere until early October, but since then, it has made its way with great speed into worlds from Sesame Street to Funny Or Die.

HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you've needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn't.

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Transcript

ROBERT SIEGEL, HOST:

We could not be happier to bring back our friend Barrie Hardymon, who's out in California but still made time to come and chat with us. In recognition that we are soon to see the live-action Maleficent coming from Disney, we chat about fairy tales. "These are stories we tell our kids to get them to abandon us," Glen says. "We're giving them the psychic armor, the psychic tools, to say goodbye." We talk about old fairy tales, Disney-fied versions, and Glen's recognition that Germany hasn't had an easy time of it with their own versions.

Transcript

WADE GOODWYN, HOST:

Twenty-five years ago, Lloyd Dobler raised a boombox over his head and changed the world of movie boyfriends forever.

(SOUNDBITE OF SONG, "IN YOUR EYES")

PETER GABRIEL: (Singing) All my instincts, they return...

GOODWYN: Linda Holmes, of our pop culture blog "Monkey See," was a teenager when she first saw the film "Say Anything..." She says all these years later, she has a new appreciation of it.

[This piece discusses the plot of both the Alice Munro short story on which Hateship Loveship is based and the film itself, although it's frankly nothing you can't intuit from the trailer.]

Imagine a scene in which a man is sitting on a park bench reading a book. A woman comes up and sits beside him. He looks up at her. She hands him a letter. "It's over," she says.

The big winner was 12 Years a Slave, but there was quite a bit of love to go around at Sunday night's Oscars. What there wasn't, as usual, was a lot of riveting television.

Sure, there was John Travolta squinting at the teleprompter and introducing Idina Menzel (to sing the Oscar-winning Best Original Song "Let It Go," from Frozen) as — no kidding — "Adele Dazeem." And there was a fun dance number featuring Pharrell Williams and his own Oscar-nominated "Happy," which he wore a formal black version of his Grammys hat to perform.

It's hard to take not one but two genres that are typically thought of as staples of old-fashioned "media for women" – the advice column and the collection of household hints – and make them feel at all relevant to women now, who may or may not have time for all the fussing that perfect housekeeping ideally entails and may or may not live lives in which it's their responsibility, or their priority.

I read Pam Ribon's Notes To Boys: And Other Things I Shouldn't Share In Public in a few sittings, but the longest stretch I consumed where one should ideally read this book: in a bubble bath. The calming atmosphere is good for the anxiety that comes from seeing a woman excavate her teenage brain, the vulnerability builds the empathy it takes to understand how terrified all these boys she was writing to must have felt, and if you get too mortified for her, you can always elect to go down the drain with the bathwater just to escape.

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