Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

It's a hot summer afternoon and the recital hall at Purchase College is abuzz with excitement and nervous energy. One hundred and twenty teenagers, from 42 states, are about to embark on an extraordinary musical and personal journey.

Clive Gillinson, executive director of Carnegie Hall, steps up to the podium to greet them. "Welcome to all of you," he says. "It's wonderful to welcome you here to the first-ever National Youth Orchestra of the United States of America!"

Part of what makes a Broadway show a Broadway show — read "splashy," especially if we're talking musicals — is the costumes. Some shows feature hundreds.

And a battalion of workers is involved in a highly choreographed backstage ballet, not just to keep the actors looking good but to help them change costumes almost instantaneously.

In the seven years since her last album, Audra McDonald has kept busy. She spent several years in Hollywood, filming the television series Private Practice. She's gotten divorced and remarried, absorbed the shock of losing her father in a plane crash and watched her daughter, Zoe, grow up from a kindergartener to a middle-schooler.

Matilda is a well-loved book by Roald Dahl, who's been called the greatest children's storyteller of the 20th century. It's about a much-put-upon little girl with tremendous gifts. Now, Matilda has been turned into a Broadway musical.

The British import, which won last year's prestigious Olivier Award and features a revolving cast of four little girls in the lead role, opens in New York tonight.

When I was a teenager falling in love with the theater, I picked up a book called Broadway's Greatest Musicals. The sole criterion for inclusion was that a show run for at least 500 performances, which translates to about a year and a quarter.

How quaint.

Several years ago, when Nora Ephron handed Tom Hanks an early draft of Lucky Guy, her play about tabloid journalist Mike McAlary, he had a pretty strong reaction.

"I said, 'Well, that guy's sure a jerk!' I used another word besides jerk — I know what you can say on NPR," he says. "And she laughed and she said, 'Well, he kinda was. But he was kinda great, too.'"

Minnesota-born composer Maria Schneider has called New York home for more than 30 years, and she knows how to find nature in the middle of the city. Because her new album is called Winter Morning Walks, we walked to her favorite bird-watching spot in Central Park on a chilly February morning.

Twenty years ago, theatrical clowns Bill Irwin and David Shiner collaborated on a Broadway show called Fool Moon — a giddy mixture of slapstick, improv and audience participation that proved such a success that it came back to Broadway for two more runs and toured both the U.S. and Europe. Now Irwin and Shiner have put together a new show called Old Hats, and it's been receiving rave reviews off-Broadway.

Irwin and Shiner's rubber-faced, loose-bodied clowning hasn't gotten easier over two decades.

Friday marks the day that 100 years ago, Grand Central Terminal opened its doors for business for the very first time. The largest railroad terminal in the world, the magnificent Beaux-Arts building is in the heart of New York City on 42nd St. And while it no longer serves long-distance trains, it's still a vibrant part of the city's eco-system.

You've never heard of Jimmy Van Heusen? Well, the American Society of Composers, Authors and Publishers has. You certainly know many of his songs, says Brook Babcock, Van Heusen's grandnephew and president of his publishing company.

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