David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
7:31 am
Fri January 24, 2014

Middle-Aged And Divorced, 'Gloria' Takes On Life's Uncertainties

Originally published on Fri January 24, 2014 1:23 pm

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. "Gloria" is a new film from Chile that centers on a late-middle-aged divorced woman whose life is full of uncertainties. She's played by Paulina Garcia, who won the top acting prize - the Silver Bear - at the 2013 Berlin Film Festival, where the movie was a surprise hit. It opens this week in New York and Los Angeles, and wider next month. Film critic David Edelstein has this review.

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Movie Reviews
8:59 am
Fri January 17, 2014

Jack Ryan Gets A Makeover, And A Quick Trip To Moscow

Chris Pine and Keira Knightley anchor Jack Ryan: Shadow Recruit, opposite Kevin Costner as a CIA veteran and Kenneth Branagh as the story's big bad.
Larry Horricks Paramount Pictures

Originally published on Fri January 17, 2014 12:05 pm

A franchise is what we used to call a Burger King or a Shell station, but nowadays the word appears more often in relation to movies: the Star Wars franchise, the Hunger Games franchise, the Jack Ryan franchise β€” or in the case of Jack Ryan: Shadow Recruit, the Jack Ryan franchise reboot. I don't know what's more depressing: that what fires up studio execs is the hunt for a new franchise or that critics have adopted this business lingo uncritically.

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Movie Reviews
10:59 am
Fri January 10, 2014

'Invisible Woman' Charts Charles Dickens' Hidden Relationship

Originally published on Fri January 10, 2014 11:30 am

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross. The new film, "The Invisible Woman," charts the hidden relationship between Charles Dickens and a young actress for whom left his wife, but who for years never showed up in biographies of Dickens. It's the second film directed by Ralph Fiennes, who also plays Dickens and features Felicity Jones as the actress, Nelly Ternan.

Film critic David Edelstein has this review.

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Movie Reviews
9:18 am
Fri December 20, 2013

A Man And His Machine, Finding Out What Love Is

In the sci-fi romance Her, a lonely man (Joaquin Phoenix) finds love in a rather unexpected place β€” with a computer operating system named Samantha.
Warner Bros.

Originally published on Fri December 20, 2013 12:24 pm

Her is the best film of the year by a so-wide margin. It's gorgeous, funny, deep β€” and I can hear some smart aleck say, "If you love it so much, why don't you marry it?" Let me tell you, I'd like to!

I certainly identify with the protagonist, Theodore Twombly, who falls in love with his computer operating system, his OS, which calls itself β€” sorry, I gotta say "who calls herself" β€” Samantha, and who sounds like a breathy young woman.

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Movie Reviews
9:34 am
Fri December 13, 2013

A 'Hustle' With Flow (And Plenty Of Flair)

A '70s con-artist couple (Christian Bale and Amy Adams) are forced to team up with an FBI agent (Bradley Cooper, right) in American Hustle, inspired by a real-life sting targeting corrupt politicians.
Francois Duhamel Columbia Pictures

Originally published on Fri December 13, 2013 11:46 am

David O. Russell hovers at the top of my list of favorite directors. He captures the messy collision of self-interests that for him defines America. In American Hustle, he whips up a black comedy based on Abscam, the late-'70s FBI sting that centered on a bogus sheik and led to the bribery convictions of sundry U.S. politicians. But he doesn't tell the real Abscam story; he adapts it to fit his theme, which is that most of us are busy reinventing ourselves and conning one another.

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Movie Reviews
10:34 am
Fri December 6, 2013

Great Soundtrack Aside, 'Inside Llewyn Davis' Hits A Sour Note

In the Coen brothers' latest film, down and out Llewyn Davis (Oscar Isaac) is trying to make ends meet as a folk singer in New York in the early 1960s.
Alison Rosa Long Strange Trip/CBS Films

Originally published on Fri December 6, 2013 12:05 pm

The films of Joel and Ethan Coen pose a challenge: How do we reconcile their wildly disparate tones? Consider O Brother, Where Art Thou?, a burlesque of Homer's Odyssey centering on three stumblebums β€” but with a soundtrack assembled by T Bone Burnett of heartfelt historical gospel and country music. Ditto The Ladykillers: venal idiot characters, soaring African-American spirituals. The ridiculous and the sublime sit side by side, with no spillover.

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Movie Reviews
4:03 am
Fri November 29, 2013

A Korean Cult Thriller Gets A Spike Lee Makeover

After 20 years in captivity, Joe (Josh Brolin) is released into the world with a hammer and an appetite for revenge in Oldboy, a Spike Lee remake of the 2003 South Korean film.
Hilary Bronwyn Gayle FilmDistrict

Originally published on Mon December 2, 2013 7:04 am

Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire β€” and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.

And as it happens, he can β€” a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.

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Movie Reviews
11:57 am
Fri November 15, 2013

Across 'Nebraska,' On A Journey That Goes Beyond The Trip

David (Will Forte, left) and his father, Woody (Bruce Dern, center), take time out of their quixotic journey to stop in Woody's small Nebraska hometown β€” where Woody's old business partner, Ed (Stacy Keach), is still nursing a grudge.
Merie W. Wallace Paramount Pictures

Originally published on Fri November 15, 2013 2:47 pm

Last month, I saw the trailer for Alexander Payne's Nebraska, and only the fact that it was a Payne film made me want to see it.

The premise seemed a dead end: Bruce Dern plays an elderly man named Woody Grant living in Billings, Mont., who gets a letter saying he's won $1 million. All he needs to do is call a number and maybe buy a magazine subscription.

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Movie Reviews
8:49 am
Fri October 25, 2013

In Emotionally Charged 'Blue,' Sex Is Graphic, But Not Gratuitous

Blue Is the Warmest Color chronicles the love affair between high school student Adèle (Adèle Exarchopoulos, left) and Emma (Léa Seydoux), who is older and more experienced.
IFC Films/Sundance Selects/Wild Bunch

Originally published on Fri October 25, 2013 11:30 am

Blue Is the Warmest Color is a lesbian coming-of-age movie, and its long and graphic sex scenes have already generated controversy. The director, Abdellatif Kechiche, is a man, and at least one prominent female critic has accused him of leading with his own libido β€” a charge that I vigorously dispute, but of course I'm a man so take that as you will. Here's what I saw: a film that captures the intensity of sexual discovery β€” and dependency β€” in a way I've never seen. It's 179 minutes, every one of them charged. It's a remarkable experience.

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Movie Reviews
8:50 am
Fri October 18, 2013

At Home At Sea: Robert Redford, At His Best Alone

Robert Redford stars in All Is Lost as a solitary man struggling to make his yacht seaworthy again after it collides with a rogue shipping container adrift in the Indian Ocean.
Richard Foreman Roadside Attractions/Lionsgate

Originally published on Fri October 18, 2013 12:38 pm

As I watched Robert Redford acting all by himself in the superlative survival-at-sea movie All Is Lost, I suddenly realized why the setup feels so perfect: Redford is most in his element when he's alone.

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