Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

With the holidays upon us, our friends at member station WQXR invited me along with Washington Post chief classical critic Anne Midgette and Sony Masterworks producer Steven Epstein, the winner of 17 Grammy Awards, to sit down with host Naomi Lewin for a Conducting Business podcast on the topic.

British composer Benjamin Britten was born 100 years ago this Friday, Nov. 22. Before you ask "Benja-who?" consider this: Did you see Wes Anderson's film Moonrise Kingdom last summer, or Pedro Almodovar's Talk to Her back a decade or so ago? (Well, maybe you have to be an art-house denizen for those.

An old video is suddenly making the internet rounds, because living vicariously through a performance nightmare is an ever-popular sport, I guess. (And we've collected plenty ourselves.)

Close your eyes, and you may think that this is 1913. In the past few days, the classical music community has been set aflame by recent comments from three prominent male conductors who are — steel yourself — actually saying that women are not capable of standing on the podium.

The vocal quartet New York Polyphony delights in surprises — whether it's a matter of singing some rather raunchy Italian madrigals or making a video to introduce their album Times Go By Turns (released on BIS Aug. 27).

The British classical magazine Gramophone announced today the latest round of winners of its annual awards, now in their 90th year. With an expansive roll call of noteworthy albums ranging from early music to opera, the Gramophone Award honorees represent a tantalizing range of musical achievement — but it's a smaller array than in years past.