Fresh Air

Fresh Air Weekend: Gerwig, Baumbach, Dawes And Polley

editor — Sat, 18 May 2013 17:09:00 +0000

Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interview with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Jerry Lee Lewis: Live, Singing As If Life Depended On It

Ed Ward — Fri, 17 May 2013 17:27:00 +0000

It was April 4, 1964, and Jerry Lee Lewis had officially bottomed out. He hadn't charted a record in years, and now, on tour in England and Germany, he was getting paid so little that he couldn't afford to bring his own musicians. Instead, he was forced to use pickup bands in England, and then, when he arrived in Hamburg, a British band called the Nashville Teens was waiting for him. The venue was the Star Club, where The Beatles, who had just leaped into stardom in America, had played not long before.

Bill Hader On Sketch Comedy, Classic Hollywood

editor — Fri, 17 May 2013 16:39:00 +0000

This interview was originally broadcast on Aug. 22, 2012.

Comedian Bill Hader is adept onstage and doing live TV. But he's scared to death of standup.

He remembers watching Chris Rock's 1996 HBO special, Bring the Pain, and thinking, "I don't know how people do that."

"I need a character," Hader tells Fresh Air's Terry Gross.

The Tricky Business Of Retirement: Hidden 401(K) Fees

editor — Thu, 16 May 2013 18:04:00 +0000

A couple generations ago, when older Americans retired they could rely on pension plans to support them. Then, in the late 1970s and early 1980s, many companies switched their retirement plans over to 401(k) accounts. The security of workers' retirement savings suddenly became subject to the vagaries of the stock market.

What's more, the financial institutions that manage 401(k)s charge a host of hidden fees to plan participants, says Robert Hiltonsmith, a policy analyst at the New York-based think tank Demos.

100 Years Of Woody Herman: The Early Bloomer Who Kept Blooming

Kevin Whitehead — Thu, 16 May 2013 16:48:00 +0000

Woody Herman, who would have turned 100 on Thursday, bloomed early and late — and then later still. He turned pro by age 9, singing and dancing in movie theaters on summer vacation. He'd perform one song deemed too risqué for radio when he recorded it decades later: "My Gee Gee From the Fiji Isles."

Herman was 17 when he went on the road playing saxophone in traveling bands. Eventually, he joined songwriter Isham Jones' orchestra. When Jones broke it up in 1936, his jazzier guys reformed as a co-op with Herman out front.

'Into Darkness,' Boldly And With A Few Twists

David Edelstein — Thu, 16 May 2013 16:16:00 +0000

Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original Star Trek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.

But hey, even President Obama can give the Vulcan salute; it's mainstream. We live — thanks to the Internet — in a fan culture. We can all get up to speed on anything quickly.

A Polley Family Secret, Pieced Deftly Together

editor — Wed, 15 May 2013 17:08:00 +0000

Sarah Polley earned wide acclaim for directing the drama Away from Her, about a woman fading into the twilight of Alzheimer's, as well as for her acting performances in an array of films including The Sweet Hereafter and My Life Without Me.

Coming To 'Americanah': Two Tales Of Immigrant Experience

Maureen Corrigan — Wed, 15 May 2013 17:08:00 +0000

First things first: Can we talk about hair? Nigerian writer Chimamanda Ngozi Adichie has written a big knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color; but, as Adichie has said in interviews, she also knows that black women's hair can speak volumes about racial politics.

Gerwig, Baumbach Poke At Post-College Pangs

editor — Tue, 14 May 2013 17:22:00 +0000

In the film Frances Ha, Greta Gerwig stars as the title character, a 27-year-old living a good but not particularly successful post-college life in New York City.

Frances becomes unmoored, though, when her best friend decides to move out of the apartment they share and move on with her own independent life. It's a turning point Gerwig says is a common experience for many young people who've struggled in the years after college, when adolescence is lingering and adulthood has yet to fully coalesce.

Dawes Knows Where It's Been And Where It's Headed

Ken Tucker — Tue, 14 May 2013 16:07:00 +0000

If you heard the Dawes song "Just Beneath the Surface" and said, "Somebody's been listening to their old Jackson Browne albums," you're not exactly insulting Dawes. The band has actually backed Browne on tour — and Browne has sung backup on at least one of its songs — so you could say that Dawes comes by its riffs and phrasing honestly.